WALK in the Woods
I found something in the forest that I once lost. It was hanging on spider silk and dripping with the sun. It was tucked into the palm of a young leaf. It was a secret shared between birds that somehow, I understood perfectly. Urgently. I walked and I walked. Impossibly, I understood more and deeper.
“The clearest way into the Universe is through a forest wilderness.”
― John Muir
I found something in the forest that I once lost.
It was hanging on spider silk and dripping with the sun.
It was tucked into the palm of a young leaf.
It was a secret shared between birds that somehow, I understood perfectly. Urgently.
I walked and I walked. Impossibly, I understood more and deeper.
In my years of walking through the woods, I’ve made many observations. Among them, that people in a forest always seem to know that walking is best.
If you stand still, you miss it.
If you run, you miss it.
But if you walk, your curiosity will show you everything.
You’ll notice the frilled mushrooms terraced and cascading down the trunk of an oak tree.
You’ll see that the mother bird has the same color freckles as your firstborn.
You’ll stop for a drink of fresh air, because a simple breath won’t tell you enough about where you’re standing.
You can come here with a hungry heart. In fact, it’s best that you do.
Walk and keep walking.
Because on the stained purple boughs of the mulberry, behind the curtain of willow, in this gallery where seasons change loudly but peace stays the same, this is where they hang the great art:
The particular blackness in the eyes of a doe frozen still.
A squabble among squirrels.
Pine cones looking prehistoric in their armor and scales.
The cocoon, the canopy, the small flashes of light.
The presence of medicine and nourishment, abundance.
Sharing the trail with the bobcat. She walks towards and past you as if to say, “I trust you, welcome.”
I’ll never be uninterested in one step more.
I’ve heard people say that they found God, Spirit, Source, the answers here. Others have been just as excited about fox grapes and Lion’s Mane. People have found love in and with these woods. They have become cathedral-quiet, just so they can listen.
They have walked so that they can really see.
Practices
Shinrin-Yoku or “Forest Bathing”
I often feel that “forest” is as much a feeling as a place. Forest is calm, peace, and home. Forest is holiness, humility, and awe. It feels good to walk in the woods because it is good to walk in the woods. Of course, we don’t need scientific studies to confirm this magic, but we have them in volumes. Among many other benefits, spending time in the forest has been associated with lower blood pressure, stress hormones, and heart rate.
In 1982, as a response to rapid urbanization and declines in overall health, the Japanese Ministry of Agriculture, Forestry, and Fisheries introduced the concept of shinrin-yoku or “forest bathing.” The wild idea was that spending dedicated time in the woods, taking in the environment with the five senses, could offer therapeutic and preventative health benefits. Today, according to the Japanese Society of Forest Medicine there are 65 certified “Forest Therapy Bases” across the country and the practice is catching on all over the world.
Like most of my favorite exercises, forest bathing is open-ended, adaptable, personalizable, and accessible. All you need is time and attention. In my experience, the woods do the rest of the work for you.
I begin my practice still, with several deep breaths and then move slowly and intentionally along a quiet two-mile trail, a distance that works well for me and takes roughly thirty-five minutes. As I walk, I make sure I’m observing with all five of my senses:
I see the light filtered through the stand of young conifers (this is called ‘komorebi’ 木漏れ日.)
I taste the spice of sap in the air.
I smell the damp earth, covered with pine needles.
I feel the zephyr skip playfully over my skin and through my hair.
I listen to every crackle and song.
I let all of it wash over me and it really does feel that way. I’m immersed, embodied, intrinsically connected. When I’m finished, I close my practice in the same stillness from which it began. And I always say, “thank you.”
Starting something new, even considering starting something new, can be daunting. If it feels like a big step (as first steps often do) there are guided forest bathing practices all over the US led by certified forest therapists, as well as many established and emerging enthusiast groups that may be able to help you get going.
Right now, I’m enjoying the practice in my own company (always making sure to check in at the trailhead, keep others aware of my location, and bring proper safety gear). As Mary Oliver says, “If you have ever gone to the woods with me, I must love you very much.”
Libby DeLana is an award-winning executive creative director, designer/art director by trade, who has spent her career in the ad world. Click here to get your copy of Libby’s first published book, Do Walk. You can connect with Libby on Instagram @thismorningwalk and @parkhere.
WALK on the Beach
I’ve come here troubled and desperate; I’ve come brimming with joy. I have come searching intensely for things I can’t name, and on days when I’ve wanted for nothing. The ocean has never given me bad advice. “Keep going,” it says as it reaches for my ankles and turns eleven new kinds of blue in the distance, “Keep on.”
The beach is pale and severed by a stream of brackish water, sea brine and fresh water flowing back and forth from a coastal dune lake to the ocean. There are tall grasses and humps of sand as big as whales, amphibious-looking plants that seem as though they could live life on a reef, a roadside, or the dark side of the moon. Stubby beach elder, panic grass, and a kind of morning glory I’ve never seen anywhere else all smile at me from behind a string of wooden fence that has been draped over the dunes like they’re sleeping children, a little “Keep Off” sign standing guard nearby, a gesture, after decades of severe weather and impact, to show that the people are trying to make amends to their places.
I walk here because I like the way the gulls sound.
I walk here because the water makes my toes wrinkle, turning the soles of my feet to a hide of soft leather.
I walk here because, like me, the beach is always changing. And there is so much wisdom in what will never profess to be finished.
I walk here because the fragrance transports me to magic land.
I step down barefoot from a rotting wooden step onto hot, almost-liquid sand. There’s no way to avoid crossing outfall today, which is knee-deep and murky with strange pockets of hot and cold. A swirl of panicked minnows circles my ankles when I step in, and I notice how different the conduit is now than it was twenty-two hours prior. There are no more shallow points, and the water is moving quickly, rushing through a network of just born capillaries in the sand that could easily be gone by sunset.
People in various configurations—singles, couples, families—mill around wonderfully aimless. Most have come to shut their eyes, to bask and be still, two things I can do nearly anywhere but here. There is something so special to me about a place that seems to believe as I do that we are continually shaped by movement. I smile as I wade across, watching a trio of little girls with pink shovels dig for treasure and drag their butterfly kites behind them, unable or unwilling to wait another second on the wind.
I have walked this beach and others like it for years, listening in on the conversations between long-legged birds, letting the sand slough away the skin on my feet, amazed by how it can be so different every time and still so much like home. I’ve come here troubled and desperate; I’ve come brimming with joy. I have come searching intensely for things I can’t name, and on days when I’ve wanted for nothing. The ocean has never given me bad advice. “Keep going,” it says as it reaches for my ankles and turns eleven new kinds of blue in the distance, “Keep on.”
And invariably I do, through the changes in and around me, walking more with the beach than on it and into my prerogative to erode, evolve, birth, and be birthed over and over. “The ocean is a mighty harmonist,” as Wordsworth says, and a very good walking companion, too.
In every movement, each crashing wave, there is transformation. It’s what keeps me walking, every damn day, and what draws me to salt-soaked and sacred spaces like this one, an environment with a pulse of its own, that reaches for me, and is as never-the-same, as I am. Up ahead, a plover searches the sand with her nose and loses a few gray tufts of feathers, gently reminding me that we can shed our feathers with a single step forward.
After six slow miles, with lots of stops to scout for sand dollars and perfectly tousled beach stones, I walk back through the outfall and find a shallow path through the stream that either wasn’t there before or wasn’t noticeable to me. I smile at the idea that the beach has done this on my behalf, though I doubt it. I say goodbye to the sleeping sand giants and their flower crowns, glad that they’re being watched over. I say goodbye to the girls pulling their wilted kites along like dawdling little sisters. “Keep going,” I think, “Walk on.”
Libby DeLana is an award-winning executive creative director, designer/art director by trade, who has spent her career in the ad world. Click here to get your copy of Libby’s first published book, Do Walk. You can connect with Libby on Instagram @thismorningwalk and @parkhere.
WALK with Love
Love gives meaning to the landscape. I might believe I’m looking out over an ordinary pond or meadow, but to someone, it’s the most sacred space in the world. All the stones are precious ones, all the forests have magic in them, and every city street is home sweet home to someone.
I fell in love with a man once when we were walking. He was tall—even taller than me—with eyes that said hello after hello and a music box laugh.
We strolled our way through the neighborhood, matching each other’s strides, passing little bistros with red-checked tablecloths, globes of pepper flakes, and candelabras that were mostly melted wax.
He told me he loved this place. And that one. He asked me if I made The Spaghetti anymore, and I couldn’t remember the last time I did. Years ago, maybe.
It’s funny how our world is made up of unknowing little landmarks. A frozen pond reminds me of my mermaid friends, jumping fish, and my dad. A mountain makes me think of Marta, and a red checkered tablecloth brings him back to spaghetti.
It’s incredible what we see when we look with love. Has a river ever just been a river? Or does it always belong to a person, a time, and a place?
A certain shape of moon takes me back to summer camp.
Birch trees remind me of hiking up Rattlesnake Mountain.
A heart-shaped anything, and my friends Roda’s and Maggie’s smiles appear instantly in my mind.
We reached Washington Square Park and paused by a bench. He told me about his life now, as though he were a stowaway on someone else’s adventure, saying “New York” like he only-half believed the city was real.
“I love you,” I tell him.
He smiles back at me, showing my favorite not-quite-straight tooth. Suddenly, I remember the last time I made spaghetti. He was eleven.
“Love you too, Mom”, he says.
Love gives meaning to the landscape. I might believe I’m looking out over an ordinary pond or meadow, but to someone, it’s the most sacred space in the world. Knowing this has changed the way I walk the Earth and the way I care for it. All the stones are precious ones, all the forests have magic in them, and every city street is home sweet home to someone.
Libby DeLana is an award-winning executive creative director, designer/art director by trade, who has spent her career in the ad world. Click here to get your copy of Libby’s first published book, Do Walk. You can connect with Libby on Instagram @thismorningwalk and @parkhere.
Finding Your Way through the Darkness
After an unknown distance, I realized that I’m not trying to look up or out from the valley anymore. I haven’t thought about what I’ll do with my day, what I should’ve done with yesterday. Right now, I’m in it—in this place, in this walk, in this whole world contained in a wisp of light. And it’s darkness, visual silence, showing me the way.
It’s brilliantly dark. Deep dark. Dark as dark can be. So dark it feels as if my headlamp can only illuminate a few steps in front of me. It’s almost as if I am underwater. Everything is dense and muted. Oddly enough, this lack of light means those things that are lit up are very visible. In this case, the thin slice of path in front me. There is no destination at this moment, nothing beyond forward anyway. The ominous quiet forces me to listen deeply, to every snap and rustle, every whisper of my body.
The tightness in my chest.
What is it telling me?
The lump in my throat.
What am I not saying?
Somehow, in the pitch dark, my shadows are illuminated.
Life has felt complicated recently. If I’m honest, I don’t feel like I want to or can trust anything. Like many stories I know by heart, this one lives only in my head. There is no visible truth to it and no discernible reason for it. It’s just a feeling that arrived and made my heart tender, my steps shaky.
Maybe I’m sick?
Maybe I’m stressed?
Maybe it’s menopause?
Maybe I’m overwhelmed?
I keep walking into the narrow beam of light on the bottom of the gully, following the soft glowing goldness, the only guide I have.
As I move, what I can only assume to be deeper into the valley, it becomes less about what I can’t see clearly and more about what I can. Without the abundance of daytime—buttercups, bounding rabbits, electric green—the undulations of the terrain are bare and beautiful, the small gray pebbles and the divots the moles have dug look impressive and sculptural. After an unknown distance, I realized that I’m not trying to look up or out from the valley anymore. I’m not hungry for the horizon the way I was when I started. I haven’t thought about what I’ll do with my day, what I should’ve done with yesterday. Right now, I’m in it—in this place, in this walk, in this whole world contained in a wisp of light. And it’s darkness, visual silence, showing me the way. I can see myself, the valley I inhabit and the valleys that inhabit me. My heart is a valley. My mind is a valley. I am both down deep and towering above.
Life has her own topography, ups and downs, valleys and peaks, tops and bottoms, vicissitudes, uncertainties, curiosities, and elements that are unpredictable. I am beginning to understand that. Suddenly, it's dark one day. Just as suddenly, a path is lit, we move forward, change begins. Perhaps the valley is a vault of opportunity? A place where secret treasure is buried, secret knowing, secret wisdom, secret enthusiasm, secret possibility, little gray pebbles, and mole holes.
Eventually, the sun comes in a burst. The wildflowers lift their heads and the birds begin to pull bugs from the dirt. It is beautiful, rich, vast, busy. But I’ll remember it clearest and best in the dark, with the silence, the secrets, the only light shining from me.
Libby DeLana is an award-winning executive creative director, designer/art director by trade, who has spent her career in the ad world. Click here to get your copy of Libby’s first published book, Do Walk. You can connect with Libby on Instagram @thismorningwalk and @parkhere.
Lost and Found
I found something in the forest that I once lost.
It was hanging on spider silk and dripping with the sun.
It was tucked into the palm of a young leaf.
It was a secret shared between birds that somehow, I understood perfectly. Urgently.
I found something in the forest that I once lost.
It was hanging on spider silk and dripping with the sun.
It was tucked into the palm of a young leaf.
It was a secret shared between birds that somehow, I understood perfectly. Urgently.
I walked and I walked. Impossibly, I understood more and deeper.
In my years of walking through the woods, I’ve made many observations. Among them, that people in a forest always seem to know that walking is best.
If you stand still, you miss it.
If you run, you miss it.
But if you walk, your curiosity will show you everything.
Libby DeLana is an award-winning executive creative director, designer/art director by trade, who has spent her career in the ad world. Click here to get your copy of Libby’s first published book, Do Walk. You can connect with Libby on Instagram @thismorningwalk and @parkhere.